![]() ![]() This is what I find is the main cause of flex (quantise) not working as you would like. However it is likely to get a transient marker so that should be erased or moved onto the beat. In those spaces there can be odd plectrum or amp artifacts that get a transient marker but you do not want those included in the quantise, then they should be removed because they are randomly placed sounds not part of the quantise grid.Ģ) you might get a flam on a snare drum, so the initial first stroke of the flam is befre the beat. With features like Humanize, Flex-Tune, and Natural vibrato control, you can craft the perfect amount of pitch correction while retaining a performers. For quantising you don't actually need flex markers at all, you just need to make sure all your transient markers are where you want them (and that there are no extraneous ones where you don't).ġ) if a rhythm guitar is playing basically swung quavers (1/8 notes) but not continuous so there are some spaces. Moving flex markers to change timing is not the same thing as quantising. The whole process retains its musicality because its time-compressing. ![]() However I'm a bit confused as I thought the thread is about quantizing. Logic will now keep an eye on your audio by time correcting it at every beat position. The behavour of snapping to a very close transient marker is why I often like to reduce the number of transient markers in the waveform (file) view, or edit their positions there before adding flex markers to the outside of the region. Separate the problem section as its own region and reanalyze. I'm also not aware of any snap setting that will make it always snap to (presumably the nearest) transient marker, although I think that might be useful so if it does exist I'd like to know. Have Logic Pro reanalyze your audio for Flex Pitch editing. Melodyne (free trial version) Waves tune. All of the following pitch correction plugins give clicks and pops. With its patented algorithms, this software takes the guesswork out of recording your own voice. Each audio device capable of sending digital audio output via ADAT or S/PDIF has its own internal clock. ![]() The raw audio (vocals) does not have any artifacts. Choose The Operation Mode On the right side of the plugin, you will be able to choose between several modes of operation. Verdict: Auto-Tune Pro pitch correction software provides you with the highest level of digital sound quality available on any computer or laptop for music production. A: Clicks, pops, distortion, and/or other audio artifacts when sending digital audio from one device to another are typically caused by the two devices not being synchronized to the same clock. My experience is that adding a flex marker doesn't snap to anything, it goes where you place the mouse pointer, except that if it is very close to a transient marker it will snap to that. My son and I have been having an ongoing problem with pitch correction plugins and would appreciate any help we can find. ![]()
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